Classical Music
Mazzola makes a fiery Utah Symphony debut – Oct 23, 2021
Enrique Mazzola conducted the Utah Symphony Friday night at Abravanel Hall. Photo: Kathleen Sykes
Abravanel Hall was only about half full Friday night for Italian conductor Enrique Mazzola’s Utah Symphony debut. But those who did attend experienced a delightful evening featuring one of the orchestra’s most communicative and polished guest conductors in recent memory.
The evening began with an expansive rendition of the Overture to Verdi’s La Forza del destino. Mazzola’s bio bills him as a specialist in early Verdi, … Read More
Conductor Enrique Mazzola is passionate about bringing classical music to new audiences – Oct 17, 2021
Enrique Mazzola conducts the Utah Symphony this weekend in music of Brahms, Verdi and Rota. Photo: Joe Mazza
For the first few months of the Covid-19 pandemic, conductor Enrique Mazzola was as frantic about the future as most of us.
“In March of last year,” he said, “when the cancellations started, of course, I had a feeling of frustration. After a couple of months, this sense of frustration became a reaction, a very beautiful artists’s reaction. We have to do something. We must react. We have to make music. Let’s make music. … Read More
Utah Opera returns with zany, colorful staging of Rossini’s “Barber” – Oct 11, 2021
Utah Opera’s production of Rossini’s “The Barber of Seville” runs through October 17. Photo: Dana Sohm
A woman on stilts and a dream ballet featuring human-sized chickens were just two of the zany surprises welcoming Utah Opera’s audience Saturday night for its season-opening production of Rossini’s The Barber of Seville. The extras also included naughty nuns, Napoleonic soldiers throwing confetti, and a recurring chicken and rooster motif that is never explained.
Set designer Shoko Kamburra and costume designer Amanda Seymour created a … Read More
Li and Morlot bring serendipitous magic to Utah Symphony program – Sep 25, 2021
George Li performed Rachmaninoff’s Rhapsody on a Theme of Paganini Friday night with the Utah Symphony. Photo: Simon Fowler
A few bumps are inevitable on the Utah Symphony’s road back to normalcy. At last week’s opening program, illness led to two changes of conductors and a programming adjustment.
This week, Ludovic Morlot was on the podium replacing Thierry Fischer due to the music director’s recent hospitalization. Also George Li was the substitute pianist in place of Andrei Korobeinikov, who was sidelined by a … Read More
Hilary Hahn’s instinctual Brahms kicks off Utah Symphony season – Sep 20, 2021
Hilary Hahn performed Brahms’ Violin Concerto with Jahja Ling conducting the Utah Symphony’s season-opening weekend. Photo: Kathleen Sykes
Johannes Brahms wrote his Violin Concerto for the celebrated Hungarian virtuoso Joseph Joachim, a friend and mentor who Brahms had admired ever since hearing him play Beethoven’s Violin Concerto. The performance was so convincing, Brahms would later say, it sounded like Joachim had written the piece himself.
The same compliment could describe violinist Hilary Hahn’s communicative rendition of the Brahms concerto Saturday … Read More
Fischer closes Utah Symphony’s pandemic season with provocative eclecticism – May 28, 2021
Thierry Fischer conducted the Utah Symphony’s final program of the season Thursday night at Abravanel Hall. Photo; Marco Borggreve
Eclectic programming that juxtaposes works in a thought-provoking way has been a hallmark of Thierry Fischer’s tenure as music director of the Utah Symphony.
The constraints of the pandemic have accentuated this gift. With shorter concerts, no intermissions, socially distanced musicians, and until recently, very few wind instruments, audiences have been exposed to pieces they might not have otherwise heard and … Read More
Jolivet concerto and Beethoven make engaging partners with Utah Symphony – May 21, 2021
Soloist Demarre McGill exchanges a fist bump with Thierry Fischer before the Utah Symphony performance of Jolivet’s Suite en concert Thursday night at Abravanel Hall.
Photo: Kathleen Sykes
In a welcome sign the pandemic may be coming to an end, the Utah Symphony’s program led by Thierry Fischer Thursday night included a Beethoven symphony. Since cautiously returning last fall, the orchestra has tried to observe recommended social distancing by featuring smaller ensembles of mostly strings, which can play masked.
The … Read More
Confused staging undoes Utah Opera’s downsized “Carmen” – May 10, 2021
Isaac Hurtado and Kirstin Chávez star in Utah Opera’s La tragédie de Carmen. Photo: Dana Sohn
Under the constraints of the pandemic, Utah Opera has done some exquisite work. Last October, when the social distancing protocols were most severe, the company presented Poulenc’s La voix humaine, which proved a riveting psychological drama and musical tour de force for soprano Wendy Bryn Harmer. That one-woman show was on a double bill with a delightful production of Joseph Horovitz’s light comedy Gentleman’s … Read More
From Bach to Wagner, Fischer leads a bounteous Utah Symphony program – Apr 30, 2021
Madeline Adkins and Claude Halter perform Bach’s Concerto for Two Violins with Thierry Fischer conducting the Utah Symphony Thursday night at Abravanel Hall. Photo: Kathleen Sykes
The Utah Symphony, like many American orchestras, has been pondering the puzzle of updating the concert experience for years. Now, thanks to the global pandemic, the orchestra has had a chance to test out some of those ideas: shorter programs, a slightly relaxed dress code, more modern or nontraditional repertoire, and the dismantling of the … Read More
Thierry Fischer returns with a smart and stylish Utah Symphony program – Apr 23, 2021
Madeline Adkins was the violin soloist in The Lark Ascending Thursday night at Abravanel Hall with Thierry Fischer conducting the Utah Symphony. Photo: Kathleen Sykes
The music of Arnold Schoenberg, his students Anton Webern and Alban Berg, and a slew of disciples in academia can still confound audience members after a century.
Credited with the invention of “atonal” music, the Second Viennese School is regarded by some as an unfortunate glitch in the musical space-time continuum. Yet by placing Schoenberg … Read More
